Details
Keywords Change this
Postwar Modernism, Collaborative, TAC
Foundation
1945, Cambridge, Massachusetts, USASelected Architecture

Practice / Active in Change this
Cambridge, Massachusetts, USA
Linked to Change this
Sarah HarknessWalter Gropius
Norman C. Fletcher
Benjamin C. Thompson
John C. Harkness
Jean Fletcher
The Architects Collaborative Change this
About Change this
The Architects Collaborative (TAC) was an American architectural firm formed by eight architects in 1945 in Cambridge, Massachusetts. The founding members were Norman C. Fletcher (1917-2007), Jean Fletcher (1915-1965), John C. Harkness (1916-2016), Sarah Harkness (1914-2013), Robert S. McMillan (1916-2001), Louis A. McMillen (1916-1998), Benjamin C. Thompson (1918-2002), and Walter Gropius (1883-1969). TAC created many successful projects, and was well respected for its broad range of designs, being considered one of the most notable firms in post-war modernism. TAC functioned as a team rather than on an individual basis, which was considered a unique method of architectural practice, which reflected Gropius' philosophy of working collaboratively with others when he was a Bauhaus instructor in Germany prior to TAC.
TAC Design Philosophy and Organization
Norman Fletcher, Louis McMillen, Robert McMillan, and Ben Thompson first laid the conceptual foundation for what became the Architects Collaborative while they were classmates at Yale University, where they discussed forming "the World Collaborative," which would be an ideal office combining painting, sculpture, and architecture. Upon graduation, Norman Fletcher worked with John Harkness during the war at Skidmore, Owings and Merrill in New York, and later, John Harkness worked with Jean Fletcher for Saarinen and Swanson in Bloomfield Hills, Michigan. Jean Fletcher and Sarah Harkness had both studied at the Cambridge School of Architecture and Landscape Architecture.This group of friends were committed to forming a collaborative practice. To help them navigate the professional world and lend notability to the firm, they sought to add a senior practitioner. John Harkness pitched the idea of joining the Architects' Collaborative to Walter Gropius, who had asked Harkness to teach a master's class at Harvard. Walter Gropius agreed and became the eighth member of the group. The idea of "collaboration" was the basis of TAC. It was carried out in that an entire group of architects have their input on a project, rather than putting an emphasis on individualism. There would be a "partner-in-charge", who would meet with clients and have the final decision of what goes into the design. Originally, each of the eight partners would hold weekly meetings on a Thursday to discuss their projects and be open to design input and ideas. As the firm grew larger there were many more people on a team and it was more difficult to consolidate into one group. Therefore, many other "groups" of architects within the firm were formed and carried out the same original objective. The position of the firm's president would be rotated amongst the senior partners.
Work of TAC
TAC's initial work consisted of residential projects, mainly single-family houses. The most notable design was Six Moon Hill in Lexington, Massachusetts, a community dwelling in which several of the houses were the residences of the founding partners, excluding Gropius. Another one of TAC's specialties in this period was school buildings, which included many elementary and secondary public schools throughout Massachusetts and New England. TAC also designed many buildings for universities, among which was the Harvard Graduate Center, a small campus of dormitories and a building devoted to student activities. TAC also designed and planned the entire campus for the University of Baghdad starting the late 1950s. The project was met with both financial and political difficulties over several years which hampered a timely completion. TAC's other work included many corporate, government, and recreational buildings in both the United States and internationally.In its initial decades, TAC's architecture was mainly in the International Style, early examples of which had been created by Gropius and his colleagues at the Bauhaus and elsewhere. Starting in the 1970s, TAC's style largely shifted from modernism to postmodernism, which was generally coming into favor in the architectural field.
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